What is Surf Music?

Sometimes when listening to a band, I wonder if it qualifies as “surf music.” So we’re going to try and answer the question of “what is surf music” here.

We’ll start with a look from ye old Wikipedia for a definition:

Surf music is a genre of popular music associated with surf culture, particularly Orange County and other areas of Southern California. It was particularly popular between 1961 and 1965, has subsequently been revived and was highly influential on subsequent rock music. It has two major forms: largely instrumental surf rock, with an electric guitar or saxophone playing the main melody, pioneered by acts such as Dick Dale and the Del-Tones, and vocal surf pop, including both surf ballads and dance music, often with strong harmonies that are most associated with The Beach Boys.

So there we have a basic definition.  We focus mostly on the instrumental form on this site, so let’s look into that further.  Here’s a little more on the types of sounds heard in instrumental surf music from Kahuna Kawentzmann, formerly of the German surf band The Looney Tunes:

This kind of re­verb ef­fect is sel­dom­ly heard in other mu­si­cal styles, but can be found on the drum tracks of 1970s dub reg­gae record­ings. With the con­nec­tion to mid cen­tu­ry surf­ing cul­ture came in­flu­ences from abroad in the form of Fla­men­co melodies, Poly­ne­sian in­spired Ex­ot­i­ca tunes and jun­gle mood drum­ming.

Taken in context of the music at the time, it’s interesting to look at how it evolved separately from similar music. A lot of influential rock music was coming out at the time, which splintered off indifferent directions. Leonard Lueras in Surfing, The Ultimate Pleasure writes:

Transition artists such as Chuck Berry, Duane Eddy and the inventive oldtimer, Les Paul, had long been experimenting with tremolos, echolettes and other such techno music toys, but these gimmicks were usually utlized for the odd temporary effect.  Not until Dale began promoting himself as a surf guitarist and calling such sustained electro riffs ‘surf music,’ was this pecular sound given a popular or proper generic name.

Here again we see Dick Dale given a nod for both the sound, and the name of surf music.  Wikipedia has a take on this as well:

By the early 1960s instrumental rock and roll had been pioneered successfully by performers such as Duane Eddy, Link Wray, and The Ventures. This trend was developed by Dick Dale who added the distinctive reverb, the rapid alternate picking characteristic of the genre, as well as Middle Eastern and Mexican influences, producing the regional hit “Let’s Go Trippin'” in 1961 and launching the surf music craze.

The Ventures, mentioned above, also had one of the first surf songs to make the Billboard Hot 100 chart with “Walk Don’t Run.” Another song often mentioned as one of the first surf songs is “Mr. Moto” by The Belairs, in the video below:

Beyond simply the sound of surf music, part of what made a song a “surf” song was the strong association with surfing, California, beaches, Woodie cars, etc.

Woodie Car at the Beach with a Surfboard
Woodie Car at the Beach with a Surfboard

Kahuna Kawentzmann also dives into this distinction between surf music and other forms of instrumental rock.  He breaks them into surf, indo rock, eleki (largely Japanese), Asia a go go, European rock instrumentals, Latin American, biker movie soundtracks, and the pioneers.  Definitely worth a read.

Fast forward to the present, songs are still being labeled as surf rock. A number bands, along with the surfy soundtrack of Pulp Fiction, helped renew surf music in the 90’s such as Man or Astroman, the Mermen, the Blue Stingrays, and many others. There are some bands, the Torquays and the Eliminators, for example, playing largely the classic surf sound.  But there are also modern bands that have much in common with rockabilly, punk, space rock, and other genres. From Phil Dirt:

Many of the bands that perform surf now are pushing the envelope of what surf music is. To borrow a band name from Teisco Del Rey, they are the “Lords Of The New Surf“. These new bands have stayed with the original instrumental genre as a foundation, shunning the vocal pop that diluted and polluted it over 30 years ago. They have infused new life via the combination of their healthy respect and love for the pure instrumental form, and varied approach incorporating many influences.

Here’s a good look at what’s involved in being labeled “Surf Music” today from Pitchfork Media:

Somewhere along the line, surf music ceased to have anything to do with actual surfing and migrated to kitsch. But although shuddering tremolo bars fit the image of a guy in floral print trunks, the music is mostly instrumental and as such essentially abstract, so you can make it mean anything you want it to. Even early surf rockers like the Ventures and the Tornados realized this and began to incorporate the astronautical, lounge, and kitsch elements that color most efforts in the genre these days. So the term “surf” as it relates to music today basically just refers to music with lots of reverb and crazy guitar playing…”

Surf music today seems to have less to do with surfing than references to robots, monsters, outer space and any other weirdness you can think of.  This is a good fit with what as El Surfadero said the other day – every surf band has a bit. So if you want to be a surf band today, slap on your Mexican wrestling mask, give yourself a cool name, and set your reverb on 11.

Author: Surf Llama

Hey there - I'm John, AKA Surf Llama. I'm a big music fan and guitar player for 15 years. I also play a very poor harmonica. I love all sorts of music include surf guitar, and personally I play a Eastwood Twin Tone electric and an old Yahama acoustic. Shoot me an email if you want to chat.

4 thoughts on “What is Surf Music?”

  1. There was a 10-part NPR radio series a year ago with Rosie Flores which showed the evolution of rockabilly music and the subgenres which came from them, including surf. Dick Dale was originally a country picker who played with double-neck guitar player Larry Collins (of the Collins Kids) on the ’50s television show, “Town Hall Party.” Dale copied Collins’ single-string attack style of playing, added some mad reverb and Middle Eastern influences and made it a style all his own.

  2. “So the term “surf” as it relates to music today basically just refers to music with lots of reverb and crazy guitar playing…”

    Actually… I was there at the beginning. I’m from The Valley (Los Angeles) and these adolescent ears were listening to the beginnings of surf with my 9-transistor radio, The first song I learned to play was Walk Don’t Run.

    What ALL the new bands miss is melody.

    It’s not just reverb and “crazy guitar playing”. Listen to The Belaires or Eddie and the Showmen. The crazy is just the recent punk/new wave noise element that sacrifices melody for frantic noise. Speed surf/punk/garage is NOT surf music. If you ever had a board under you, you’d understand.

    BTW it was not ruined by vocal bands. That’s just a different flavor. Brian Wilson’s genius shines thru even trite lyrics. Don’t bash what you don’t understand.

  3. Like the surf music top 20. Judging from the tunes, it appears that the rule is instrumental. That being the case, I would add “Moon Dawg” and “Point Panic.” Was pleased with the revisionist efforts of The Surfaris “Basic Tracks” about 5 years ago. Though skillful, the drumming was a bit heavy and also a tad anachronistic. Glad that they did the disc, as they respected the sanctity of clear guitar sounds. It looks as if surf music is going global now. Glad to see it for the greater glory of the genre. Long live surf music!

Leave a Reply

Your email address will not be published. Required fields are marked *